
By coincidence of a liberal arts education I discovered “The Cave” (1920−2) by Russian author Yevgeny Zamyatin, best known for his dystopian novel We, in a class on Russian science fiction two years before striking sparks in Kyle Gabler’s game Little Inferno (2012). After toasting before digital flames my thoughts draw me back to Zamyatin’s story of a couple trying to survive an ice age locked over the city of St. Petersburg. The comparison between these two narratives, 92 years apart, confronts longstanding problems of human relationships and choice. Within Gabler’s charming gothic world is an ideology of oppression that stands alongside radical struggles […]